Kunstsammler in Wien

Sammler, Sammlungen, Sammlungskulturen in Wien und Mitteleuropa Sonderband

Sebastian Schütze

512 Seiten, 45 s/w Illustr., 265 farbige Illustr., 45 b/w and 265 col. ill.

48,00 €
Inkl. 7% Steuern

Lieferzeit: Vorbestellbar

Erscheint am: 03.06.2022

Vienna is one of the biggest art and culture metropolises in Europe. In addition to the imperial collections, numerous important collections emerged here, in particular starting in the seventeenth century and into the modern era. The biographies brought together here deal not only with viceroys, ministers of state and ambassadors, merchants, businessmen and bankers, but also with composers, painters, art dealers, and art historians. The focus is on collectors who are less well known today, who are documented in detail for the first time here based on contemporary sources. Among the central questions are the collectors motivations and acquisition strategies, as well as the preservation and presentation of the objects. Together, the biographies make an important contribution to a differentiated history of the culture of collecting, and simultaneously position Vienna in an overall European context.

Sebastian Schütze, University of Vienna.

Mehr Informationen
Autor Sebastian Schütze
Verlag Deutscher Kunstverlag GmbH
ISBN 9783422989726
ISBN/EAN 9783422989726
Lieferzeit Vorbestellbar
Erscheinungsdatum 03.06.2022
Lieferbarkeitsdatum 21.10.2024
Einband Gebunden
Seitenzahl 512 S., 45 s/w Illustr., 265 farbige Illustr., 45 b/w and 265 col. ill.

Weitere Informationen

Mehr Informationen
Verlag Deutscher Kunstverlag GmbH
ISBN 9783422989726
Erscheinungsdatum 03.06.2022
Einband Gebunden

Vienna is one of the biggest art and culture metropolises in Europe. In addition to the imperial collections, numerous important collections emerged here, in particular starting in the seventeenth century and into the modern era. The biographies brought together here deal not only with viceroys, ministers of state and ambassadors, merchants, businessmen and bankers, but also with composers, painters, art dealers, and art historians. The focus is on collectors who are less well known today, who are documented in detail for the first time here based on contemporary sources. Among the central questions are the collectors motivations and acquisition strategies, as well as the preservation and presentation of the objects. Together, the biographies make an important contribution to a differentiated history of the culture of collecting, and simultaneously position Vienna in an overall European context.

Sebastian Schütze, University of Vienna.

 

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