Miron Schmückle

Flesh for Fantasy, Katalog zur Ausstellung Städel Museum, Frankfurt a.M., 1.12.2023-14.4.2024, Horst-Janssen-Museum, Oldenburg, 21.6.-20.10.2024, Dt/engl/rumän

Schmückle, Miron/Demandt, Philipp/Elson, Simon u a

148 Seiten, 64 Fotos

60,00 €
Inkl. 7% Steuern

Lieferzeit: 5 Werktage(inkl . Versand)

Fantastical reinterpretations of naturalist drawings  Monograph accompanying the artists solo exhibition at Frankfurts Städel Museum  Indepth interview with the artist

The Romanian-German artist Miron Schmückle is a singular position within contemporary art. Growing up in Romania under Nicolae Ceausescu, he dreamed of other worlds that seemed forever inaccessible due to the Iron Curtain. From the beginning, Schmückles uniquely coherent pictorial cosmos has been linked to the idea of primeval forests and jungles, oscillating between hyperrealism and undisguised escapism, precise observation of nature and exuberant imagination. His almost scientific approach belies the fact that his complex creations have not sprung from nature but from imagination. Schmückles fascinating hybrid creatures intertwine notions of scent and poison, beauty and transience, anatomy and sexuality to create an oeuvre between truth and invention that is both timeless and ostensibly fallen out of time. This monograph comprises works from the past 15 years and gives insights into the artists concepts and technique through an in-depth interview with art scholar and journalist Simon Elson. MIRON SCHMÜCKLE (*1966 Sibiu, Romania) emigrated to Germany in 1988 and studied from 1991-96 at the Muthesius University of Fine Arts and Design in Kiel in Renate Angers class for experimental painting, and at the HFBK Hamburg in the class for performance with Marina Abramovic in 1994. He moved into his first studio in Hamburg in 1997. Since 2008, he has lived and worked in Berlin. He received his doctorate in 2016, with a study on Joris Hoefnagels 16th century cabinet miniatures.

Mehr Informationen
Autor Schmückle, Miron/Demandt, Philipp/Elson, Simon u a
Verlag Hatje Cantz Verlag GmbH & Co. KG
ISBN 9783775756655
ISBN/EAN 9783775756655
Lieferzeit 5 Werktage(inkl . Versand)
Erscheinungsdatum 09.10.2023
Lieferbarkeitsdatum 22.12.2023
Einband Gebunden
Format 2.2 x 31.7 x 24.7
Seitenzahl 148 S., 64 Fotos
Gewicht 1297

Weitere Informationen

Mehr Informationen
Verlag Hatje Cantz Verlag GmbH & Co. KG
ISBN 9783775756655
Erscheinungsdatum 09.10.2023
Einband Gebunden
Format 2.2 x 31.7 x 24.7
Gewicht 1297

Fantastical reinterpretations of naturalist drawings  Monograph accompanying the artists solo exhibition at Frankfurts Städel Museum  Indepth interview with the artist

The Romanian-German artist Miron Schmückle is a singular position within contemporary art. Growing up in Romania under Nicolae Ceausescu, he dreamed of other worlds that seemed forever inaccessible due to the Iron Curtain. From the beginning, Schmückles uniquely coherent pictorial cosmos has been linked to the idea of primeval forests and jungles, oscillating between hyperrealism and undisguised escapism, precise observation of nature and exuberant imagination. His almost scientific approach belies the fact that his complex creations have not sprung from nature but from imagination. Schmückles fascinating hybrid creatures intertwine notions of scent and poison, beauty and transience, anatomy and sexuality to create an oeuvre between truth and invention that is both timeless and ostensibly fallen out of time. This monograph comprises works from the past 15 years and gives insights into the artists concepts and technique through an in-depth interview with art scholar and journalist Simon Elson. MIRON SCHMÜCKLE (*1966 Sibiu, Romania) emigrated to Germany in 1988 and studied from 1991-96 at the Muthesius University of Fine Arts and Design in Kiel in Renate Angers class for experimental painting, and at the HFBK Hamburg in the class for performance with Marina Abramovic in 1994. He moved into his first studio in Hamburg in 1997. Since 2008, he has lived and worked in Berlin. He received his doctorate in 2016, with a study on Joris Hoefnagels 16th century cabinet miniatures.

 

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