Women of Chinese Modern Art

Gender and Reforming Traditions in National and Global Spheres, 1900s-1930s

Sung, Doris

59,95 €
Inkl. 7% Steuern

Lieferzeit: 5 Werktage(inkl . Versand)

Bringing to light the largely overlooked female participation in domestic and international art worlds, this book offers the first comprehensive study of how women embroiderers, traditionalist calligraphers and painters, including Shen Shou, Wu Xingfen, Jin Taotao, and members of Chinese Womens Society of Calligraphy and Painting, shaped the terrain of the modern art world and gender positioning during Chinas important moments of social-cultural transformation from empire to republic. Drawing on a wealth of previously unexhibited artworks, rare artists monographs, womens journals, personal narratives, diaries, and catalogs of international expositions, Doris Sung not only affirms womens significant roles as guardian and innovator of traditionalist art forms for a modern nation, but she also reveals their contribution to cultural diplomacy and revaluation of Chinese artistic heritage on the international stage in the early twentieth century.

Doris Sung, Assistant Professor of Art History, The University of Alabama.

Mehr Informationen
Autor Sung, Doris
Verlag De Gruyter Oldenbourg
ISBN 9783110798517
ISBN/EAN 9783110798517
Lieferzeit 5 Werktage(inkl . Versand)
Erscheinungsdatum 04.09.2023
Lieferbarkeitsdatum 13.01.2024
Einband Gebunden
Format 2.4 x 24.6 x 18
Seitenzahl XVIII, 292 S., 15 s/w Illustr., 98 farbige Illustr., 2 farbige Zeichng., 15 b/w and 98 col. ill., 2 col. graphics
Gewicht 864

Weitere Informationen

Mehr Informationen
Verlag De Gruyter Oldenbourg
ISBN 9783110798517
Erscheinungsdatum 04.09.2023
Einband Gebunden
Format 2.4 x 24.6 x 18
Gewicht 864

Bringing to light the largely overlooked female participation in domestic and international art worlds, this book offers the first comprehensive study of how women embroiderers, traditionalist calligraphers and painters, including Shen Shou, Wu Xingfen, Jin Taotao, and members of Chinese Womens Society of Calligraphy and Painting, shaped the terrain of the modern art world and gender positioning during Chinas important moments of social-cultural transformation from empire to republic. Drawing on a wealth of previously unexhibited artworks, rare artists monographs, womens journals, personal narratives, diaries, and catalogs of international expositions, Doris Sung not only affirms womens significant roles as guardian and innovator of traditionalist art forms for a modern nation, but she also reveals their contribution to cultural diplomacy and revaluation of Chinese artistic heritage on the international stage in the early twentieth century.

Doris Sung, Assistant Professor of Art History, The University of Alabama.

 

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