Music and Mirrored Hybridities
242 Seiten
Lieferzeit: 5 Werktage(inkl . Versand)
In early modern Europe, music-theatrical patterns of representing the foreign Other helped shape relations with the Ottoman Empire. Accordingly, hybridity must be understood as a dynamic practice playing with cultural blends and borrowings, albeit possibly (re-)producing inequalities, ambiguities, and clichés. Representations of Ottomans/Turks appear as musical features emerging out of vague inspirations derived from Ottoman/Turkish music, creating a particular sound that could be decoded as Ottoman or Turkish by contemporary listeners. This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic Turkish scene from Le Bourgeois gentilhomme (1670). With contributions by Özlem Berk Albachten - Thomas Betzwieser - Aysenaz Cengiz - Marie Demeilliez - Irène Feste - Judith I. Haug - Hubert Hazebroucq - Gerrit Berenike Heiter - Evren Kutlay - Martin Laiblin - Hanna Walsdorf
Autor | Judith I Haug/Hanna Walsdorf |
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Verlag | Ergon Verlag |
ISBN | 9783987400445 |
ISBN/EAN | 9783987400445 |
Lieferzeit | 5 Werktage(inkl . Versand) |
Erscheinungsdatum | 27.07.2023 |
Lieferbarkeitsdatum | 14.10.2023 |
Einband | Gebunden |
Format | 1.9 x 24.5 x 17.8 |
Seitenzahl | 242 S. |
Gewicht | 645 |
Weitere Informationen
Verlag | Ergon Verlag |
---|---|
ISBN | 9783987400445 |
Erscheinungsdatum | 27.07.2023 |
Einband | Gebunden |
Format | 1.9 x 24.5 x 17.8 |
Gewicht | 645 |
In early modern Europe, music-theatrical patterns of representing the foreign Other helped shape relations with the Ottoman Empire. Accordingly, hybridity must be understood as a dynamic practice playing with cultural blends and borrowings, albeit possibly (re-)producing inequalities, ambiguities, and clichés. Representations of Ottomans/Turks appear as musical features emerging out of vague inspirations derived from Ottoman/Turkish music, creating a particular sound that could be decoded as Ottoman or Turkish by contemporary listeners. This volume addresses the convergence of cultural communities on stage from early modern France to present-day Turkey, starting from the iconic Turkish scene from Le Bourgeois gentilhomme (1670). With contributions by Özlem Berk Albachten - Thomas Betzwieser - Aysenaz Cengiz - Marie Demeilliez - Irène Feste - Judith I. Haug - Hubert Hazebroucq - Gerrit Berenike Heiter - Evren Kutlay - Martin Laiblin - Hanna Walsdorf
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