Sohrab Shahid Saless: Filmemacher, Filmmaker,

Dt/engl/frz/pers

Vivien Buchhorn/Goethe-Institut

352 Seiten, 50 s/w Illustr., 100 farbige Illustr., 150 Illustr.

42,00 €
Inkl. 7% Steuern

Lieferzeit: Vorbestellbar

Erscheint am: 22.05.2024

Sohrab Shahid Saless: Filmmaker is the first monograph with multiple perspectives on the work of the Tehran-born film-maker. Saless had already made a number of documentaries and two features in Iran before moving to West Germany in 1975. Films like Still Life (Tabiate Bijan), Far from Home (Dar Ghorbat), and Utopia brought him international recognition. His work also reflects the political mood of those yearsthe legacy of National Socialism, new forms of racism, and West Germanys attempts to deal with migration. Saless also trains his precise eye on minor characters and the repressiveness and yearnings characterising middle-class life. Despite his restless journey and the difficulties he had in securing funding for his film projects, he managed to create a body of work that can be seen as a chronicle of his time. The book brings together new perspectives on a film oeuvre that has been unjustly forgotten, studies its transnational linkages, and probes Salesss cinematic style. Sohrab Shahid Saless (1944-1998) was born in Tehran and studied in Paris and Vienna. In 1974 he shot two features on the Caspian Sea, which brought him international success. The filmmaker moved to Germany in 1975 and made thirteen feature films there, including co-productions with Iran and Czechoslovakia. His films showed at international festivals like Cannes and the Berlinale. Despite these successes, his work is hard to find today and is rarely screened. He spent the last years of his life in the USA. Vivien Buchhorn is a film historian and curator. She has been working for years to make Salesss films more accessible. The Shahid Saless Archive (http://shahid-saless- archive.org/) was set up at her initiative. The book and the archive are funded by the Goethe-Institut.

Mehr Informationen
Autor Vivien Buchhorn/Goethe-Institut
Verlag Spector Books OHG
ISBN 9783959056922
ISBN/EAN 9783959056922
Lieferzeit Vorbestellbar
Erscheinungsdatum 22.05.2024
Lieferbarkeitsdatum 15.12.2024
Seitenzahl 352 S., 50 s/w Illustr., 100 farbige Illustr., 150 Illustr.

Weitere Informationen

Mehr Informationen
Verlag Spector Books OHG
ISBN 9783959056922
Erscheinungsdatum 22.05.2024

Sohrab Shahid Saless: Filmmaker is the first monograph with multiple perspectives on the work of the Tehran-born film-maker. Saless had already made a number of documentaries and two features in Iran before moving to West Germany in 1975. Films like Still Life (Tabiate Bijan), Far from Home (Dar Ghorbat), and Utopia brought him international recognition. His work also reflects the political mood of those yearsthe legacy of National Socialism, new forms of racism, and West Germanys attempts to deal with migration. Saless also trains his precise eye on minor characters and the repressiveness and yearnings characterising middle-class life. Despite his restless journey and the difficulties he had in securing funding for his film projects, he managed to create a body of work that can be seen as a chronicle of his time. The book brings together new perspectives on a film oeuvre that has been unjustly forgotten, studies its transnational linkages, and probes Salesss cinematic style. Sohrab Shahid Saless (1944-1998) was born in Tehran and studied in Paris and Vienna. In 1974 he shot two features on the Caspian Sea, which brought him international success. The filmmaker moved to Germany in 1975 and made thirteen feature films there, including co-productions with Iran and Czechoslovakia. His films showed at international festivals like Cannes and the Berlinale. Despite these successes, his work is hard to find today and is rarely screened. He spent the last years of his life in the USA. Vivien Buchhorn is a film historian and curator. She has been working for years to make Salesss films more accessible. The Shahid Saless Archive (http://shahid-saless- archive.org/) was set up at her initiative. The book and the archive are funded by the Goethe-Institut.

 

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